waiting I was getting a little impatient for action. The uniform black outfitted "Professionals " weren't doing the do. I played a couple of ooblee dooblee tunes , you know , my own modest rubbish, on my pipsqueak whistle. We hadn't come prepared with the amp, I regretted not having the foresight. Mine is battery powered. The sound check usually takes about 30 seconds.The "pipsqueak " carries well above all but the most deafening racket. I tried to converse with a few people, difficult , they appeared to have been drinking for most of the day. I felt like a temperence preacher at a "Legalise Canabuse" rally. Me tunes took my mind off being grumpy for a while. Saw a few feet tapping away, I was happy to receive some warm smiles from passers by.
As far as I could hear there wasn't a lot I could criticise about the technical musician ship. But a pile of cover versions didn't inspire me to want to stay for long. I couldn't see the band from my vantage point I was listening . Something about the vocalist was bugging me. Amidst the funky blues and dexterous jazz riffs A Frenchman was imitating a deep south American accent. A clichéd caricature in style and content. I felt that the priveleged wunderkind on the mike was really taking the piss. "Trying to sound black" doesn't do it for me. Happier by far I would have been to hear a black French singer chanting away in their own first language. Perhaps I am too critical, the audience didn't seem to mind. I felt pinned to the wall behind me by the volume of sound., took my mind off the dominant discomfort for a while by having a quiet acoustic jam on my own. I was having to blow too hard to hear myself at all, I soon became hypercritical of the noise I was making and decided in short order to stop playing altogether. Someone standing close by said my tootling sounded good. Small mercy. The total of one and a half hours of waiting for the band to play didn't quite pay off. I bimbled off to find some uncrowded quietude. A bit of peace from the nuclear powered cover up culture. The bits of the occasion I enjoyed , the chair and the few tuneful scraps of my music. I wasn't drinking , I rarely do and never whilst I am playing, as a rule. This isn't intended to be a music critique. If you think so you are reading it wrongly. I was on the opposite side of the dogshit covered street. It just wasn't my idea of a nice day out.
Our little group eventually amassed itself to get a lift home, Anne-Sophie was driving. There was further delay as some folk wanted to buy some groceries. There was a queue. More waiting , I found an entrance to a Metro, in Place St.Anne. The holiday left the entrance clean and uncrowded. Through the bars across the entrance I could see an opportunity of playing in a space compatible with my kind of music. "A better buzz than waiting ", thinks I. There was nothing of note to see but the sound was excellent. Worth playing without a crowd, I had been waiting most part of the afternoon for one thing or another. I was making the most of the acoustic moment..
I didn't know that up above me I was being hussled to stop playing, "We are going now, come on," as though I were a child on a parental shopping trip. It damped down a little of the pleasure I had gained from the few moments of grace. As though someone had pulled the plug before I had completed the tune. I put my flute back inmy pocket and joined the others for the journey home.
I don't play the bars or the terraces, I play my flute. The interminable convoy of Pizza bikes in the street party gig ruined the breathable atmosphere for me. I was grateful for the moment's respite in the Metro entrance. Toby took a couple of photos. The one above is in the Street. The photograph in the next posting is of me playing in the sound space of the closed station. It is a real pity so few heard it. I hope there is a next time.
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